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Paul Ranson
French Nabi Painter, 1864-1909
French painter and designer. The son of a successful local politician, Ranson was encouraged from the outset in his artistic ambitions. He studied at the Ecoles des Arts D?coratifs in Limoges and Paris but transferred in 1886 to the Acad?mie Julian. There he met Paul S?rusier and in 1888 became one of the original members of the group known as the NABIS. From 1890 onwards, Ranson and his wife France hosted Saturday afternoon meetings of the Nabis in their apartment in the Boulevard du Montparnasse, jokingly referred to as 'Le Temple'. Ranson acted as linchpin for the sometimes dispersed group. Noted for his enthusiasm and wit and for his keen interests in philosophy, theosophy and theatre, he brought an element of esoteric ritual to their activities. For example he introduced the secret Nabi language and the nicknames used familiarly within the group. Related Paintings of Paul Ranson :. | The Apotheose of S | Landscape with a House in the Grove about 1646 | Bathing Men | Selbstportrat mit Tiroler Hut | The Modiste | Related Artists: skagens museumBONZI, Pietro Paoloca. 1576, Cortona, d. 1636,
Roma
Pietro Paolo Bonzi (c. 1576-1636) also known as il Gobbo dei Carracci (hunchback of the Carracci) or il Gobbo dei Frutti (of fruits), was an Italian painter, best known for his landscapes and still-lifes.
he was born in Cortona, he was part of the circle of Annibale Carracci and Domenichino, and trained under Giovanni Battista Viola in Rome. In Rome, he worked for Cardinal Pier Paolo Crescenzi in Rome. There are only two still-life paintings known with his signature; he thus forms one of the first Italian artists in Rome working in this style. The Giustiniani inventories of 1638 cite paintings by Bonzi and other still-lifes are documented in the 1670 inventory of Principe Lorenzo Onofrio Colonna's collection. He also worked in fresco and in 1622-23 worked with Pietro da Cortona on the ceiling of a gallery in the Palazzo Mattei di Giove. Other commissions cited by Baglione include his work in the Palazzo Pallavicini-Rospigliosi. Shaykh Muhammadthe period of 1465-1535
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All the Albert Bierstadt's Oil Paintings
Supported by oil paintings and picture frames

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